‘Ceremony’ the 4th National Indigenous Art Triennial

The 4th National Indigenous Art Triennial titled ‘Ceremony’ has opened this weekend in Canberra at the National Gallery of Australia with the exhibition itself open to the public as well as performances, film, talks, workshops, and live music on offer. The theme of the triennial highlights how ceremony is at the core of many artistic practices, as well as at the nexus of Country, of culture and of community.

Image: Dylan River, Kaytetye people, Untitled (Bungalow), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of the Christopher and Francesca Beale Private Foundation, image courtesy and © the artist.

Participating artists include; Robert Andrew, Joel Bray, Kunmanara Carroll, Penny Evans, Robert Fielding, Nicole Foreshew, Margaret Rarru Garrawurra and Helen Ganalmirriwuy, Dr Matilda House and Paul Girrawah House Ngambri, Hayley Millar Baker, Mantua Nangala, S.J Norman, Dylan River, Darrell Sibosado, Andrew Snelgar, Joel Spring, James Tylor, the Yarrenyty Arltere Artists, the Tangentyere Artists and Gutiŋarra Yunupiŋu.

Ceremony is many things, it has ties to tradition, the act of performing, significance to an inner world as well as collective experience and is something deliberate and enacted, it is evidence of an active way of being; or as they gallery says ‘the artist’s conscious engagement with what has come before’.

Curator Hetti Perkins has said ‘Like a formula that has an ‘active ingredient’ or ‘radical agent’, each work in Ceremony will have a performative element or purpose. The idea of ‘active’ is central: works that are active; works that are activist; works that activate.’

Over the weekend, among many special events, Hayley Millar Baker premieres her film ‘Nyctinasty’, alongside this there will be performance by SJ Norman in Bone Library and the Yarrenyty Arltere Artists are offering a soft sculpture making class.

Image: Hayley Millar Baker, Gunditjmara and Djabwurrung people, Nyctinasty, 2021, installation view, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Ray Wilson OAM, image courtesy and © the artist.

Artists included in the exhibition are profiled online with the NGA’s first ‘digital exhibition publication’ that features enriching text, video and imagery of their creative practices. It’s a wonderful opportunity to hear direct from the artist about what drives them and their work; the publication is beautifully designed to offer an immersive experience of not only the artwork but the personality of the artists, a rare opportunity!  

Image: Yarrenyty Arltere Artists and Tangentyere Artists, Blak Parliament House, 2021, installation view, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, image courtesy and © the artists

Curator, Hetti Perkins says that Ceremony is ‘testament that our culture has survived – not only over the many thousands of years but, particularly, the last couple of hundred years – because of its capacity for innovation and adaptability.’

The exhibition is on view until 31 July.